Voice flute after Bressan
| Maple, plum or olive wood €1800 incl. VAT|
| European boxwood €1900 incl. VAT|
A voice flute is quite a special instrument in the recorder landscape. It didn’t really play a large part in the historical repertoire for the recorder. But in the modern early music practice it is now an essential tool for recorder players, because it opens up most of the traverso repertoire and also a lot of baroque violin music. Think of music by Telemann, Corelli, Hotteterre, Leclair and of course J.S. Bach and his sons.
The problem is that there are no historical voice flutes suitable for playing this demanding music. The original voice flutes by Bressan have a really rich low register, but no usable upper range.
It was meant as a consort instrument, not as a solo instrument. The same can be said about the instruments by J.C. Denner that are most likely tenors in C at church pitch.
What we musicians really want is a very low alto recorder in D. Something with a large range, good high notes and lots of dynamic possibilities. So my solution is to combine the designs of the Bressan alto and voice flute. Taking the proportions, bore shape and finger hole positions of the alto
and scaling them to voice flute size, keeping the original voice flute as a reference. The result is a beautifully balanced voice flute, with a full round sound throughout the range.
A note on woods. Boxwood is usually the choice of wood for a baroque recorder, including voice flutes. However it can be a bit heavy for some players. A lighter wood can also work beautifully both in look, weight and sound. Maple, pear and olive are very nice alternatives, each giving their own sound quality. And since these woods are a lot less expensive than boxwood I can offer voice flutes in these woods at a slightly lower price. This has nothing to do with quality or making a budget instrument, it’s simply the high cost of large pieces of boxwood.